Olafur Eliasson, Room for one colour and windy corner, installation, Kunsthalle Bremen - Der Kunstverein in Bremen / Photo: Jürgen Nogai
The exhibition "Enlight My Space. Art after 1990" presents works from the collection of the Kunsthalle Bremen alongside major works from the Bremer Landesbank collection which have been assembled since the mid-1990s. The collections complement each other and form an impressive overview of a turbulent time which continues to have a great influence on current artistic production.
During a period of political upheaval and social change, art of the 1990s became open to new themes, materials and forms of expression. In various media ranging from painting to object art to installations, artists explored a new concepts of space and challenged viewers’ perceptions.
The exhibition will explore the art of the period between the revolutionary 1970s and the technological 2000s with works and installations by Stephan Balkenhol, Peter Doig, Olafur Eliasson, Dan Flavin, Rupprecht Geiger, Gotthard Graubner, Katharina Grosse, Candida Höfer, Martin Honert, Ilya Kabakov, François Morellet, Otto Piene, Tobias Rehberger and Jerry Zeniuk among others.
Photo: Kerstin Rolfes
“You call this art?” or “I could do that too!” are two exclamations which can often be heard in response to abstract or non-objective art. Rightly so? Young children in particular have an unprejudiced point of view and approach such works of art without reservations and fear of contact. They allow themselves to be guided by the play of colours and traces which they can follow in these works of art.
This situation is taken up by a gallery space which is being specially designed for children and families. The exhibition conveys diverse insights and approaches to works of art in which the amorphous and strongly abstracted interplay of form and colour play a predominant role. Visitors to the museum will be surprised by the selection of works. On display will not only be representatives of Modernism, such as Johannes Itten, or of the Informel movement, such as Emil Schumacher, but also pictures from the Renaissance, the Baroque era and the nineteenth century which cause amazement through the abstract forms they contain.
The exhibition is being prepared as part of a new cooperation between the Kunsthalle and KiTa Bremen (day care center) which allows, since November 2013, children from twenty kindergartens and day-care centres to visit the museum. With pedagogical guidance from the museum, the children engage in an active encounter with non-objective or abstract art in an intuitive and creative manner. Their favourite pictures from our collection and their associative responses to them will find a place in the display. “What do YOU See?” is supported by the Robert Bosch Foundation as an ongoing outreach concept by the initiative “Art and Games”.
Sarah Morris, Jardim Botânico [Rio], 2013 (Detail), 59,81 m x 4,07 m
© Sarah Morris
The American artist and filmmaker Sarah Morris (* 1967) has created a monumental, panoramic mural for the central entrance hall of the Kunsthalle Bremen. Jardim Botânico [Rio] (“Botanical Garden”) is related to the artist’s new series of works entitled Rio but also reacts to the architecture of the museum. The spectacular installation combines luminous colours and abstract grid structures with rectangular and curved forms to form a spectacular environment. The numerous layers of brilliant pigments and
household enamels give rise to visual rhythms as well as to tactile, almost relief-like structures.
Morris works in the tradition of geometrical painting of modernism as well as of the 1960s with marked references to the oeuvre of Piet Mondrian, the American color field painters, Op Art and Victor Vasarely. She continues this tradition creatively into the future and instils new life into a reduced formal language through her dynamic, intensively colourful compositions. But with the shiny colours of her striking paintings and murals the artist also reflects critically on the illusionary world of Hollywood film and the surface aesthetics of glossy magazines, fashion and advertising.
The exhibition has been realised with the generous support of the Supporters’ Circle for Contemporary Art in the Kunstverein Bremen and the Bremer Landesbank.